Notice to Our Readers: In the near future, we will be halting publication of new contentin the Significato Journal. It's been a lovely experience, but we have found that with limited time, we need to focus our efforts in new directions (which include book publishing). We'll be leaving some content on the site in an archived status. We'll move other content to our personal websites (https://peterfalkenbergbrown.com and https://kimmysophiabrown.com (Kim's website is not ready yet)). When that process is completed, we'll send out a final email to our SJ subscribers and invite you all to subscribe to our individual subscription lists. More to come... [Peter and Kim - February 13, 2020]
Enthralling Performance by Ameranouche
Venue: One Longfellow Square, Portland, ME ~ August 24, 2013 ~
Sep 1, 2013
Ithad been a while since we hadventured out for a concert,so the idea of hearing some gypsy jazz was just the thing. Wefound that One LongfellowSquare had set up tables and chairs which created a cozy cabaret feeling. We found seats but the place filled up quickly, and soon three men took the stage.
The lead guitarist was astrongly built man named Richard Sheppard, who seemed like he had been playing guitar since he was a little boy. Jack Soref was a quick-fingeredman with a gentle soul, who played mostly rhythm guitar,although he and Richard traded off throughout the evening. Michael Harrist looked young but turned out to be an extremely capable stand-up bassist.
Theshow was vigorous and hypnotic. Original tunes and standards flowed into a kind of gypsy-manouche-lava of music. Among them was “Brazil”and “I’ll See You in My Dreams”, which they mentioned was George Harrison’s favorite song. Therewere songs and rhythms ala Antonio Carlos Jobim, as well as Django Reinhardt, and many lovely songs penned by RichardSheppard.
Peter and I had justfinished a long, hard day and found ourselves closing our eyes and flying off into a string-induced dream-scape. The more they played, the more united, joyful and intuitive they became. That kind of music takes on a life of its own which is thoroughly experiential. The band responds to the audience, the audience responds to the band, and the intense rhythms become the bower of an almost supernatural journey.
Richard is anaggressive, percussive guitarist, his fingers are like little hammers; and the group was like a small flock of birds, flying this way, that way, back again, far away, melding and separating, settling in trees, flying off, and then settling again. Peter thought he was the fastest guitarist he had ever heard.
The music reminded meof dark wood, dark red wine, smoky fires, and at times felt train-like. Then it was suddenly over. We emerged from our trance and felt like we were floating six inches above the floor. We drove home and I wondered, was that a dream? They were incredible!
Kimmy Sophia Brown has loved humor and music and freedom for as long as she can remember.She is especially passionate about the environment and caring for animals.
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